"Riders of the Pale Horizon" – Fine Art Print

"Riders of the Pale Horizon" – Fine Art Print by KASTOR Jürgen Fischer (First Edition, Limited to 20)

📝 Product Description:

This limited First Edition fine art print from the analog original by KASTOR Jürgen Fischer is a dynamic and evocative work titled "Riders of the Pale Horizon". A minimalist yet expressive depiction of movement, wilderness, and fleeting presence, this certified art reproduction is now available as part of the LUMEN ART collection.

Strictly limited to 20 signed and numbered copies, this edition is printed at original scale and produced on premium fine art paper. Each print includes a certificate of authenticity verifying its origin and fidelity to the original analog artwork.

Both title and description are AI-generated.

📐 Print Details:

• Title: Riders of the Pale Horizon

• Artist: KASTOR Jürgen Fischer

• Edition: First Edition – Limited to 20 prints

• Size: DIN A4 landscape (29.7 × 21 cm / 11.7 × 8.3 in)

• Paper Type: [INSERT PAPER TYPE, e.g., Hahnemühle Photo Rag 308gsm / FineArt Baryta / Archival Matte]

• Finish: [INSERT FINISH, e.g., Matte / Satin / Glossy]

• Certificate: Includes hand-signed certificate of authenticity

• Release: LUMEN ART Collection, 2025

🎨 Motif Description:

"Riders of the Pale Horizon" is a fluid and abstract representation of galloping horsemen rendered in expressive charcoal lines and muted, earthy washes. The image evokes a spectral sense of urgency and ancient motion—two or more equine figures emerge from a hazy ochre background, their forms fragmented and dynamic.

Their outlines seem born of dust and shadow, as if drawn from the very desert wind they gallop through. The figures stretch forward in exaggerated strides, the suggestion of whips or lances extending beyond them, giving the scene a narrative of hunt, war, or ritual journey.

Despite the minimal palette—sandy tones with light blushes of violet—the work resonates with energy. The abstraction invites interpretation: are they messengers, spirits, or echoes of an extinct cavalry? The tension between figuration and gesture is masterful, typical of KASTOR’s analog ink-and-wash style, where the ephemeral and the eternal often collide.

In this piece, the viewer is not merely an observer but a distant witness to a fading charge—etched not in stone, but in the winds of memory.